Sony a6600 with Sony E PZ 18-105mm f/4 G OSS Lens

Unparalleled AF performance, the key to beautiful shots

Fast and accurate autofocus captures fleeting moments in stunning detail, thanks to a combination of innovative Sony technologies. A total of 425 phase-detection AF points work in conjunction with contrast-detection AF to achieve a remarkable 0.02-sec.speed, while High-density AF Tracking Technology follows even erratically moving subjects.[1] Phase-detection AF coverage (425 points) [2] Contrast-detection AF coverage (425 points)

Real-time Tracking holds the focus on tracked subjects

When you're tracking a fast-moving subject, the camera's motion tracker uses an enhanced subject recognition algorithm (AI)that draws on colour, pattern (brightness), distance (depth) and face/eye information to recognise, and maintain focus on, your subject. (1) Face [AI] (2) Eye [AI] (3) Colour (4) Pattern (5) Distance (6) Subject recognition algorithm

Enhanced Real-time Eye AF supports portrait shooting

Real-time Eye AF detects and automatically focuses on the eyes of your subject when you half-press the shutter, and you can even prioritise your subject's left or right eye. When AF-C is set, it maintains a stable focus even when the face is partially hidden or backlit, or the subject is facing downwards.

Real-time Eye AF for animal

The technology used in Real-time Eye AF has been adapted to support animalas well as human. When activated, this provides fast automatic detection and tracking of animal's eyes, with precise focus that had been difficult to achieve otherwise, all to give you great pet portraits and wildlife shots.

High speed continuous shooting with AF/AE tracking

Capture all the action with continuous shooting at up to 11fps. Even when using silent shutter, or the live-view mode, up to 8fpsis possible. Display lag has been minimised, and up to 116 JPEG (Standard) imagescan be shot in each burst, with group display available in the playback mode.

Accurate autofocus in dim lighting

Highly accurate autofocus is possible even in dark settings, thanks to the camera's advanced AF algorithm. High AF sensitivity means reliable AF-S auto-focus all the way down to EV -2.

Focus Magnifier for finer focus adjustment in both MF/AF modes

When extra-accurate focus is called for, such as when you're taking macro shots, you can display a magnified view of the general area you want to focus on, then finely adjust the exact point of focus using the touchscreen or the focus point selector.

Easy manual focus with a clearly visible peaking function

The camera's peaking function colour-highlights the most sharply focused section of the entire image area when you're using manual focus. Now blue has been added to the display's other peaking colours (red, yellow and white) to improve the visibility of in-focus areas when you're doing the delicate focusing required for macro or portrait shooting.

Built-in 5-axis optical image stabilisation

The 5-axis in-body optical image stabilisation mechanism used on our acclaimed full-frame cameras has been adapted for use as a stabilisation unit for the APS-C sensor on this model. This system compensates for camera shake along five different axes – pitch and yaw, horizontal and vertical, and rotational (roll) – to ensure steadier still images and movies during hand-held shooting. A highly accurate gyro sensor provides an image stabilisation effect equivalent to a shutter speed 5 stepsfaster. The feature allows you to zoom in on far-off subjects, snap detailed close-ups, capture night scenes and more ― all with minimal blur from camera shake.

An innovative image-processing system

The camera's APS-C size, 24.2-megapixelExmor™CMOS sensor provides a wide sensitivity range and excellent low-noise performance. In conjunction with the latest-generation BIONZ X™image processing engine, it delivers beautiful, high-resolution images with superb image clarity and texture reproduction.

Extraordinary image quality, low noise and a wide ISO range

The standard ISO sensitivity range has been extended to ISO 100-32000 (expandable ISO 50-102400 for stills). Improved imaging algorithms, detail reproduction technology and area-division noise reduction result in more realistic textures, better detail in shadow regions, and more lifelike colours, including human skin tones and natural plant colours.

14-bit RAW output with rich tonal gradation

True 14-bit RAW images are delivered via a high-performance LSI and the BIONZ X image processor. To retain the smoothest, most natural tonal gradations, all processing occurs at 16-bit, preventing any dithering or processing errors from being introduced into the final 14-bit RAW image output. [1] Image sensor [2] The latest high-speed front-end LSI [a] 16-bit image processing

4K movie recording in high-bit-rate XAVC S format

Super 35mm format, 4K movie recording with full pixel readout and no pixel binning allows oversampling of around 2.4xthe image information needed for 4K (QFHD: 3840 x 2160). By downscaling from the equivalent of 6K resolution, captured videos benefit from even more realism and depth. The high-bit-rate (up to 100Mbps for 4K 30p/24p) XAVC Svideo codec ensures professional quality images in a consumer-friendly format.

Precise AF tracking with Real-time Eye AF, for better movies

Fast Hybrid AF brings high speed, accuracy and tracking performance to meet the stringent autofocus demands of 4K movies. AF tracking sensitivity can be adjusted for either stable focus or responsive refocusing, depending on the nature of the scene, and Touch Tracking lets you initiate tracking of a moving subject simply by touching the LCD screen. Real-time Eye AF is now also available for movies.

S-Gamut/S-Log shooting

S-Log shootinggives you the flexibility to make more expressive movies by performing colour grading in post-production. The S-Log3 and S-Log2 gamma curves feature a wide dynamic range (up to 1300% larger than Rec. 709) that can help minimise blown highlights and crushed shadows. The S-Log3 gamma setting also provides an impressive 14 stops of dynamic range.

Creative movie-making options

Interval Shootingwith a set interval between 1 and 60 seconds can be performed within the camera and used to create a time-lapse movie on a PC. You can also view the images using a sim